About

Scope of Journal

TRAJECTORIA is an international online peer-reviewed journal situated at the intersection of anthropology, heritage studies, museum studies, and the arts. It is published by the National Museum of Ethnology (Minpaku) in Osaka, Japan. Since its establishment in 1974, Minpaku has endeavoured to disseminate its research findings to scholarly circles as well as to the general public by means of various channels and methods. Some of the recent projects to develop as an “Info-Forum Museum” have reconceptualised the museum as a platform for the multilateral exchange of ideas and information concerning the diversity of material culture as well as other forms of human mediation housed in museum collections.

The present journal provides a formal channel for continuing this exchange by focusing on the entangled, multiple trajectories of artifacts, knowledge and actors through time and space, both within and beyond the museum. We particularly welcome contributions that discuss anthropological practices, artistic challenges, and performances that transcend norms. We also welcome contributions that cannot be realised through text-oriented journals that explore non-verbal or sensorial realities of a given life-world. We solicit submissions that experiment with non-textual forms of knowledge creation and storytelling, ranging from audio-visual works, such as ethnographic films and animation, to different combinations of textual and non-textual media, including still/moving images, illustrations, maps, and sound. We also encourage contributions that experiment with digital media and VR, such as in virtual reconstructions of exhibitions or “reality.”

The journal has the following key objectives:

  • 1

    to examine the multi-sensory aspects of objects and material environments and to generate and disseminate new forms of knowledge;

  • 2

    to share knowledge with source communities (the groups of people in whom research outputs and museum collections originate), stimulating multiple creative collaborations and cross-fertilisations between researchers and those who are represented or studied;

  • 3

    to explore the innovative uses of multi-media and other exhibition techniques that allow a variety of museum audiences to participate in the ongoing process of knowledge production.

The journal is published annually and offers open access to scholarly circles around the world and members of the wider public with an interest in discussions of anthropology, museum, heritage, and art. The journal serves as both a gallery and an archive for the topics under discussion, and we aim to provide the highest possible technical support for the presentation and preservation of the journal’s content.

Editorial Team

EXECUTIVE EDITOR

Kenji Yoshida
Director-General of National Museum of Ethnology, Japan

EDITORS-IN-CHIEF

Itsushi Kawase
Associate Professor, National Museum of Ethnology, Japan
Rossella Ragazzi
Associate Professor, University Museum UMAK, The Arctic University of Norway
Inge Daniels
Associate Professor, University of Oxford, UK
Shota Fukuoka
Professor, National Museum of Ethnology, Japan

CONSULTING BOARD

Anthony Shelton
Professor, Director of the Museum of Anthropology, The University of British Columbia, Canada
Atsushi Nobayashi
Professor, National Museum of Ethnology, Japan
An van Dienderen
Filmmaker & Lecturer, KASK&Conservatorium, School of Arts, Ghent, Belgium
Mouadjamou Ahmadou
Lecturer and Researcher, Director of Visual Anthropology Laboratory, the University of Maroua, Cameroon

OPERATION MANAGER

Yushi Yanohara
Technical Assistant, National Museum of Ethnology, Japan
Research Fellow, Kyoto University, Japan